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After a spate of spate of Middle East based failures released by Hollywood over the past 12 months, you have to approach yet another one with some trepidation, even if it comes from an acclaimed director and has the one-two punch of Crowe and Di Caprio above the title. It's been met with a muted response from critics - Body of Lies currently polls a mediocre 50% on rottentomatoes, which means half of those critics polled would class this as a failure, putting it behind the likes of Zack and Miri Make a Porno, Quantum of Solace, and, incredibly, RocknRolla. Point me out the raving lunatic that thinks Guy Ritchie has done anything in the last 10 years that comes anywhere close to the quality of this film and I'll beat him to death with a big black rubber sex toy. To be fair, that memorable scene actually came from the one film that Guy Ritchie has ever done that was any good, but I digress.

Body of Lies opens with a skilfully directed action sequence set in Manchester and then another in the Middle East involving Roger Ferris (Di Caprio), a covert Arabic speaking CIA agent specialising in counter terrorist work. After almost single-handedly dispatching a terrorist cell he is given a promotion of sorts to work out of the US embassy in Jordan. After quickly putting his predecessor in his place over the half arsed job he and his team have been doing, Di Caprio approaches the Jordanian head of security (Mark Strong) with whom he sets up an uneasy alliance - one where they clearly prefer the tag of friendship than enmity but where neither has the confidence to share classified information with each other. The film explores Ferris' attempts to root out terror in Jordan with the ultimate goal of capturing Al-Saleem, the man responsible for the Manchester bombing as well as others throughout Europe.

Critics have said this is a very Tony Scott film, and it is true that this is the most technologically up to date film of the Ridley's career, and the most action heavy piece since Black Hawk Down. Ridley's younger brother hasn't really done anything of note since Enemy of the State, but that particular film is genuinely great in my opinion and, like this, was technologically savvy and covered much ground quickly.

Body of Lies though is a completely different beast. It has a smart script penned from the David Ignatius novel and adapted by Oscar winner William Monahan, with whom Scott work on Kingdom of Heaven. Perhaps a perceived lack of focus hurt the film in terms of critical reception, and it is true that there is a lot going on here. We only settle into the meat of the plot half way into the second act, but the build up to that point has been so satisfying that you almost didn't need a clearly defined goal, although when it comes it is a strength of the film. Ferris hatches a clever plan to entrap Al-Saleem by setting up a rival terrorist cell and getting Saleem curious enough to initiate contact. The way Ferrris goes about setting it up is smart and brilliantly executed and could easily have merited its own 2 hour picture.

However I wouldn't fault the structure of this film at all. It was extremely entertaining to be plunged into the hi-tech world of counter-terrorism. Di Caprio is once again on top form in a film in which he probably should have got sole billing. That honour was shared by Russell Crowe who, despite being one of the finest actors working today, I have yet to mention. That's because he really is a secondary player to Di Caprio and has very little to do other than speak on the phone to his man in the field. If Di Caprio is a bit like Jack Bauer, Crowe is a bit like a one man CTU - someone who phones in advice and instruction from Washington and a man capable of making extremely tough calls instantly, and without giving them a second though. Crowe carrying an extra few pounds and in the Jeffrey Wigand build from The Insider, plays his small role perfectly and is possibly the star of the show, although it's a close run thing between him and relative newcomer Mark Strong. Strong plays the Jordanian minister with a quiet gravitas that has you completely convinced that the charisma and authority oozing out of every pore is completely genuine. Strong really should get a significant career boost from his impressive performance here.

Body of Lies is far far better than critics will tell you. Whilst it wont go down as a home run in the Ridley Scott canon, it a film I would unhesitatingly recommend. The strong performances and the wonderful visual flair that you a guaranteed with Ridley, make it worth the price of admission alone.